The O Men. Not the weird Sylvester McCoy version from the 80s.
The O Men collected volumes being promoted as part of Titan Comics’ #bestbritcomics season are a journey through the early career of writer-artist Martin Eden. Volume 1 is about as early as it gets – the ‘origin story’ of the O Men, but in a way that origin stories have seldom been done before.
Death awaits the Doctor in The Caves of Androzani.
Every time the Doctor opens the doors of the Tardis, there’s the potential for wonder, for splendour, for excitement – or for death. The danger inherent in just being the Doctor, or being his companion, is rarely better exemplified than in the story which has regularly topped fan lists as the best story of the last fifty-one years, The Caves of Androzani.
Tony relived one of the best examples of Classic Doctor Who – The Caves of Androzani.
There have been comic books as we know them since the 1940s and 50s. But every now and again, there’s a massive leap forward in the art-form: practically everything in 2000 AD; Frank Miller’s Dark Knight; Neil Gaiman’s Sandman; Alan Moore’s Watchmen and so on.
Based on the collected Volume 1 from Titan Comics, it’s entirely possible that Death Sentence should join the list.
Tony was issued a Death Sentence in the collected Titan Comics release.
Resurrection of the Daleks. Will you get out alive?
Resurrection of the Daleks is bleak. Really bleak. It’s a story absolutely crammed with characters, and yet at the end only Davros, the Doctor and his companions, Commander Lytton and two mercenaries dressed as policemen survive. Some characters, in particular the soldiers from the warehouse, even suffer the indignity of dying twice.
Not so much a resurrection then as a flaring catastrophe. Flaring Catastrophe of the Daleks… Hmm, perhaps not.
Tony goes back to the bleakness that is Resurrection of the Daleks.
It’s about the most dangerous, most ballsy thing you can do in television. Put your whole format on trial – and in your first episodes, no less, to silence any would-be doubters and critics. If it goes horribly wrong, you’re dead in the water before you begin. If you make it work, you have a mandate to go boldly forward, having sold your proof of concept despite explicit, vocalised concerns.
Tony goes right back to the beginning of the Next Generation – Encounter At Farpoint.
Each of the three Doctors who piloted the Tardis during the 80s had adventures with longstanding foes like the Daleks and Cybermen, but each of them also had era-specific enemies or monsters that had the potential for further use, but which never made it across into another Doctor’s time. The Sixth Doctor had Sil, the particularly unpleasant slug-like Mentor. The Seventh Doctor tangled with Fenric, the Elder God. The Fifth Doctor’s private property was, if we’re honest, a cut above both of them. The Mara was based in religious symbolism – in Buddhism, Mara is a demon of seduction. Marrying that idea to the Judaeo-Christian idea of a serpent who tempted Eve in the Garden of Eden, Doctor Who’s Mara is all things to all people – a creature of the mind, that feeds your desires and grows stronger, until, when released, it takes the form of a giant snake and is free to obey its own whims, bring chaos and destruction everywhere it sinks its fangs.
Tony listened to the whisper of the Mara in The Cradle of the Snake.
The Awakening – an unexpectedly great Fifth Doctor story.
The Awakening is, no matter which way you slice it, an odd Fifth Doctor story. It’s not exactly a time-bending story but it does have what we can imagine are members of a village parish council riding around on horses, dressed as roundheads and cavaliers, and it does also have people from the actual Civil War in the same story. It’s a two-parter that takes place over a single frenetic day, and it has one of the most genuinely creepy aliens seen during Peter Davison’s time as the Doctor – which is no mean feat for a monster that says nothing, and moves really very little.
Tony remembers a great Fifth Doctor story – The Awakening.